BlackGeekdom Science-Fiction from a Different Perspective

Source: USA Weekend

Idris Elba who is most known for his role as Stringer Bell in The Wire is currently starring in Takers, a heist film opening this weekend.  He talked about Takers and Thor in USA Weekend.   Here is an excerpt from that interview:

You just finished your stint filming Thor as the Asgardian warrior Heimdall. How was that?
It was dope. It was an interesting genre of film to make. I had never done comic book stuff, so that was really great.

What was the coolest part?
Just the bigness of the show. It’s so epic, these huge sets were just amazing to look at. And they really pat attention to detail. When you read the comics, you see all the drawings, and to actually see them in real life, it’s like, “Whoa!”

Do you see yourself doing another superhero character or are you good with the crime dramas?
I have a deal with the Marvel Studios team, a four-picture commitment. I’m sure I’ll be back in something cool.

Looks like he’s going to be in more Marvel Entertainment films, but he didn’t spill the beans, or he may not know yet, about what role or roles Marvel has in store for him.  I know that many people like the idea of him playing T’Challa, the Black Panther.  He certainly has the gravitas and the acting chops to pull it off.  Read the rest of the interview here.

Posted under Articles, Comics, Interview, Movies

It been a while but Cloak and Dagger are back this week. Its only a 5 issue run but you take what you can get. Cloak and Dagger are children of the 80′s premiering in Spectacular Spider-Man #64 (1982). They have always had a strong cult following but not enough to keep a series going for a extended run (I don’t think they have ever made it past 20 issues). Also you may want to check out the trade Child of Darkness, Child of Light on Amazon or the the dollar bins at your local comic shop they should be fairly cheap.    You can read back ground information after the break.

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Posted under Comics

Source: Newsarama

Here’s a few excerpts from the article where they interviwed writer Jeff Parker and editor Bill Rosemann .

Beginning in May’s Thunderbolts #144, the former hero-for-hire Luke Cage becomes leader, coach and counselor for a group of villains who are attempting to shed their vile roots. More than just a halfway house for supervillians, it’s a team looking to redeem itself – whether they like it or not.

Nrama: And the T-Bolts are rising from the ashes in some new digs… but not the kind of place I’d choose to live in. Jeff, what can you tell us about it?

Jeff Parker: First, it’s back to being an above-ground operation, based at The Raft supermax facility. Even former Thunderbolts are coming on as staff to help get the stain of Norman Osborn off the team and push again the idea of reform. All the most powerful criminals are now being contained at The Raft, an Alcatraz for the super community. At the east end of the prison is Thunderbolts tower, which all of the incarcerated can see from the courtyard, projecting up like a beacon, a constant reminder. You’re down there, you could be up here. And up here means closer to the world out of these walls where you’ll be expected to use your abilities to help for a change.

Parker: If you were wondering how Thunderbolts would shift into The Heroic Age, the answer is that they’re going to have a very real hero around supervising- the Power Man himself, Luke Cage. But there’s a lot of pressure on this latest incarnation of the Thunderbolts program to succeed, a lot of people want it dissolved.

Luke is walking, breathing, hitting proof that you can reform and be better than your circumstances shaped you. And he’s tough enough to deal with the worst of these mega-prisoners. If they think they’re going to pull some trick Luke hasn’t seen and trashed a hundred times before, they’re sadly mistaken.

Posted under Comics

BRAVE AND THE BOLD MILESTONE TP
DC COMICS
(W) Dwayne McDuffie, John Rozum, Kurt Busiek, Matt Wayne and Adam Beechen (A) Denys Cowan, Howard Porter and others(C) Howard Porter
Don’t miss the first meeting of Static and Black Lightning, Blue Beetle and Hardware, The Spectre and Xombi and more titanic team-ups from THE BRAVE AND THE BOLD #24-26, plus stories from HARDWARE #16, STATIC #12 and XOMBI #6. 10 160 pg, FC, $17.99 US

TITANS #22
DC COMICS
(W) J.T. Krul (A) Angel Unzueta & Wayne Faucher (C) Angel Unzueta
DC fans won’t want to miss this finale of the two-part “Fractured” story! As the remaining three members of the team are evicted from their New York City headquarters by General Lane, they wonder if there’s anywhere on Earth they can still call home. The answer will surprise you! This issue closes this chapter in the life of the classic Titans team and ushers in an exciting new era in JUSTICE LEAGUE OF AMERICA and March’s TITANS ANNUAL that’ll blow your mind! 32 pg FC $2.99 US

WAR MACHINE TP VOL 02 DARK REIGN
MARVEL COMICS
(W) GREG PAK (A) CARLOS MAGNO, LEONARDO MANCO, ALLAN JEFFERSON & WELLINTON ALVES (C) FRANCESCO MATTINA
When Jim Rhodes returns home he comes face-to-face with American Eagle, last seen in the pages of THUNDERBOLTS-as two visions of America clash with earth-shattering results that may irrevocably change War Machine-and the nation he loves! Also: What the heck does Rhodes’ mom have to say about all of this? Find out in the latest pulse-pounding story arc of the series that CBR.com calls “high-octane, higher-caliber adventure…a visual spectacle worthy of the spotlight.” Guest-starring Ronin, Mockingbird, Tigra and Wonder Man! Collecting WAR MACHINE #6-12 168 PGS Rated T+ $15.99

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Source:

Posted under Comics

In honor of the King Holiday here’s a site that has a list of MLK’s apperances in Comic Book.     Joe Sergi’s Cup of Geek

Enjoy the Holiday.

Posted under Comics

Source: Newsarama

Marvel is publishing a new  four-issue New Avengers: Luke Cage, with pencils by Eric Canete and written by John Arcudi.   Here’s a few excerpts from the interview with John Arcudi.

Nrama: What’s the story you’ll be exploring in New Avengers: Luke Cage?

Arcudi: Luke discovers that an old friend, or rather the son of an old friend, has been following in his own footsteps down in North Philadelphia in a kind of “Hero-for-Hire” business. The young man, Leodis, has set up in the worst part of the city to help out people who couldn’t find help anywhere else. For his trouble, Leodis is beaten to a pulp. So now Luke feels that since this poor broken kid tried to be like him, he’s got to do something about this, which is to say, go kick some ass. But once he gets there, the facts are revealed to be a bit more complicated than what I’ve just told you. Ha haaaa. Psych!

Posted under Comics

Posted under Comics

Source: The Source

What is MILESTONE FOREVER, you ask? Well, we can take a guess, but why slow down the process? Since it’s part and parcel of what we do, being The Source and all, we talked to Milestone founder and MILESTONE FOREVER writer Dwayne McDuffie for the scoop on the new project, along with some essential back story to bring you newbies up to speed. Take it away, Dwayne:

16 years ago this month, industry giant DC Comics and upstart Milestone Media entered into an unprecedented creative partnership, producing 14 interlocking, creator-owned titles including Hardware, Icon, and the multimedia hit that would best be known as Static Shock. The story Milestone chose to tell was an audacious one, larger than life on its surface, character and story-driven at its base, Humanist and multicultural at its heart. For over 250 issues, fans explored a superhero universe like no other.

Today, nine Parents Choice awards, four Eisner Award nominations and one Emmy and Humanitas award-winning hit TV series later, Milestone is back, its continuity mysteriously merged with the DCU. While we saw the DC side of the story in “Justice League: When Worlds Collide,” Milestone Forever gathers the original artists from Milestone’s launch titles: John Paul Leon, Mark Bright, Chris Cross and Milestone Founder Denys Cowan, to complete the tales told in the original runs of STATIC SHOCK, ICON, HARDWARE, SHADOW CABINET and BLOOD SYNDICATE. Milestone Editor in Chief Dwayne McDuffie reveals the final fate of each of Milestone’s launch characters in a bittersweet tale that chronicles the literal end of a universe, and the birth of something new, with major consequences for the future of the DC Universe.

Posted under Comics

Comicbook Resource has a interview with New Teen Titans writer Felicia D. Henderson.  She was co-executive producer of “Fringe,” “Gossip Girl” and “Soul Food: the Series,” which she also directed. She also wrote “Cheetah Girls 2″ and for the “Fresh Prince of Bel-Air” and was a consulting producer and writer for “Everybody Hates Chris.”    Her first issue of Teen Titans #75 will be released on September 30.

Here’s a few excerpts from the article:

CBR: What can you tell us about the story you’re going to tell in your first arc of “Teen Titans?” Who’s the villain? Who are the key players?

FELICIA D. HENDERSON: What can I tell you? Well, not much because it’s changing even as I’m writing it and I’m writing it now. In fact, I should be writing now instead of talking to you. I have to go.

Joking, of course. Let’s see. In the first arc some characters will come, other characters will go, a villain will go on a terror that will wreak havoc on our team. Yes, I know I’m “Queen of Vague.”

Are you a long-time fan of the “Teen Titans” and comics in general?

I am a long time comic book fan. I was a sickly child, which meant lots of time on the Asthma inhaler and lots of time in the house while my brothers and sisters played outside. So I created my own alternate universe and comic bookshelped me do that. My sisters were reading Archies and I was reading “Batman” and coming up with ways the villains could take out my younger brother. Yes, I was dark even at ten years old.

 Getting a chance to write “Teen Titans” is so cool because it combines my strengths in writing teens, my love of comics, my science background, and my sci-fi sensibilities. And I’ve always loved the idea of creating stories about where this realm meets the spiritual/mystical one. In other words, I’m in heaven.

 

What are the major differences between writing for comics and television? “Teen Titans” is your first comic assignment, correct?

The biggest difference between the two is that you can rely on dialogue in television and you haveto rely on visual story telling in comics. In that way, comics are more like film, even more like silent film, which I love.

Also, because I’m so committed to doing a great job, the process is all-consuming for me now. Every page, every panel, every word of dialogue takes me forever because I take way too long to commit. This is my first full-length issue. To get my feet wet, I did a 10-page “Citizen Steel” story for the upcoming “Justice Society of America Annual” and that took me forever, too. But with “Teen Titans,” I’m on a serious time crunch so I won’t have the luxury of contemplating everything for so long.

Another difference is the intensity of weekly deadlines in television. You know you have to have an episode ready to go every week no matter what and that can be stressful, as well. Both mediums are very collaborative but the way the collaboration works is a little different. Breaking stories in a writers’ room surrounded by fellow writers means that television writing is never a lonely job. Also, there’s no better place to be than with other writers. I love the process.

Posted under Comics