BlackGeekdom Science-Fiction from a Different Perspective

Persons Unknown followed the story of seven people who were abducted and placed in a seemingly abandoned town in the middle of nowhere. They wake up in a hotel with no knowledge of how or why they are there. The hotel, the streets of the town, and the other buildings are all filled with cameras and microphones. During the first few weeks of their captivity, they are subjected to psychological and physical stresses (torture). They also try to escape several times without success since the town is surrounded by some sort of impassable microwave energy wall. Once, they actually make it through the wall only for all of them to pass out, possibly due to an implant, and awaken back in the town.

The secondary plot follows Mark Renbe, a journalist and the ex-husband of one of the abductees, Janet Cooper. Renbe is attempting to find Janet to not only investigate the unusual circumstances of her disappearance but to also reunite her with their daughter, Megan. Another subplot involves Joe Tucker who at first seems to be an abductee like the other six people but is later revealed to be an agent of “The Program,” those responsible for the abductions and what is going on in the town.

Now that I’ve explained the important plot details, let me explain why I think the show failed in the end. Initially, the show was advertised as a mini-series event and that “All will be answered” at the end of the summer. The only thing that the show didn’t do was to provide answers, or at least the answers for which I wanted answers. 1) How did they decide who to abduct? 2) What is the purpose of “The Program? It has to be more than just finding individuals who show great promise. 3) What is The Program? 4) What’s going to happen to Kate Damatto and Ambassador Fairchild? Those are just a few of the questions that I have. These questions wouldn’t be so bad if I knew that there was going to be another season.

I will commend the writers for creating a show with an original premise. The series finally was a well written episode, if they were setting up more seasons. Am I supposed to just assume that The Program continues on? Why not go out with a bang and have the characters that we (the audience) grew to care about escape and somehow expose The Program, or find a way back to their lives, or even make new lives, instead of being stuck in a loop. Usually, when a series or mini-series comes to an end, there is closure. Fans of this show, however few there may be, won’t have any closure. The conspiracy continues and the plight of our characters isn’t changed. It would be like Battlestar Galactica ending after Crossroads Part 2 with the revelation of who the hidden cylons are. Or it would be like Lost ending after the fifth season finale The Incident when Ben kills Jacob, Ilana opens the metal crate to reveal Locke’s body, and Juliet smashes the nuclear core and detonates the bomb. You can’t end a series that you know is coming to an end with a cliff hanger and not expect people to be a little perturbed.

Maybe it was a case of the writers not knowing how to end the show, but that’s ridiculous. You knew going in that it was going to end. There really isn’t any excuse. I might have been happy with just showing Joe and Mark in a new town starting the cycle over again, but you also show me our original abductees (minus Joe) in a hotel built into a ship out at sea in the middle of nowhere (incidentally the ship is named Almas Perdidias which translates into Lost Souls). They are then told “Welcome to Level 2,” by a now sinister looking Night Manager. What the hell is Level 2? Why didn’t they just scrap this group like the normally would do? If The Program is trying something new, what exactly are they trying? The writers seem to have no problem with raising even more questions.

Maybe I’m being too hard and literal. I actually did like the show, and if there were going to be more seasons, I would watch. But the ending bothered me. I dislike false closure on my TV shows. Maybe this’ll spawn comic books or webisodes, or even some decent fan fiction. One can only hope.

Posted under Articles, Fanboy Rants, Reviews, Television

I am really disappointed in the Smallville finally.   A whole seasons worth of build up for one super jump and a explosion and the doomsday fight was over. I feel cheated, but its my fault for have any sort of decent  expectations.    Despite the disappointing showdown,  the writer have left wth two interesting questions and one interesting twist.   Where did the legion time ring take Lois?  Is that really Zod making an appearance at the end?   The best part of the whole episode occured at Jimmy Olsens funeral (who was killed by Davis) or should I say Henry James Olsen,    Chloe gave James (Jimmy) Olsen  his older brothers camera the implication is that the younger Olsen is the “Jimmy Olsen” from the comics

I finally watched all of  season two of  Primevial just in time for the season premiere of season 3 on BBC America     The show follows a team of five scientists tasked with investigating the appearance of temporal anomalies across Great Britain and containing prehistoric and futuristic creatures which enter the present.  Its great sci-fi television.   You can catch reruns of the first season on the Sci-fi channel on Friday nights 

New episodes this week  and DVD releases after the break 

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Posted under Television

I’m referring to the actor Walter Emanuel Jones who played the original Black Ranger  Zack Jones on the Power Rangers television show.   He was written out of the series midway through the second season after appearing in 81 episodes, apparently due to disagreements over wages and fee.   Since then he has been doing voice over work , starred in several independent films and made appearances on several television shows like  “CSI” and “The Shield”.

Walter currently resides in Los Angeles, California and spends his free time Salsa Instructing and Dancing, Camping, Scuba Diving, Snowboarding, and Traveling.

Posted under Television

Friday the 13th: The series was a first run syndicated show that made its debut on Oct 3, 1987. The show lasted 3 seasons and aired 72 episodes. The show had no connection to the film franchise other than the name.

This series revolved initially around the adventures of two cousins, Ryan Dallion and Micki Foster, who inherited an antique shop, “Curious Goods,” from their Uncle Vendredi. We find out in the first episode that Vendredi made a pact with the Devil, to sell cursed antiques. He recanted at the last minute and tried to recover the antiques, but was claimed by Hell. The cousins, aided by Vendredi’s partner Jack Marshak, used the store’s manifest to track down the cursed antiques, each of which fell into the hands of someone who inevitably used them for evil.

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Posted under Uncategorized

Source: Variety

MGM Domestic Television Distribution has optioned U.K.-based online graphic novel “The Many Worlds of Jonas Moore” for development as a series. MGM execs say the move is part of a burgeoning effort to put the Lion back into the TV production biz in a significant way.

Studio aims to develop “Jonas” into an action-drama, with a U.S.-U.K. co-production deal a possibility, according to Chris Ottinger, exec VP of worldwide TV for MGM. Film Collective‘s Ruth Vitale is attached to the project as an exec producer.   “Jonas” revolves around a fugitive vidgame player in a futuristic world where the British empire still reigns supreme and America is just one of thousands of virtual worlds in a global game network.

Howard Webster created and produced the graphic novel for his London-based Factory Publishing imprint and Triumph Motorcycles.

As for distribution of TV skein, “It’s more likely to be a cable series here in the U.S.,” Ottinger said. “But it has a real shot to be on terrestrial TV in the U.K.”

MGM is shopping for a writer to adapt the novel for TV. Ottinger hopes to have a script commissioned in the fall so the series is ready to go next year.

“We’re really trying to restart our television business, and we’re looking for hot properties that we can turn into hourlong dramas,” he said.

The “Jonas” novel is available for download on iPod or PC as a combination of traditional comicbook animation and 3-D animation. Brit thesp Colin Salmon provides the voice of the lead character. The graphic novel incorporates 3-D animation, live-action photography and newsreel footage.

Posted under Television

Posted under Animation, Comics

My hope is that this will be Marvels answer to Justice League/Unlimited cartoon. Marvel nails live action films, but they have a real crappy record when it comes to animated television shows. I think they are trending upward recently with the direct to DVD films (Ultimates, Ultimates 2, Iron Man, etc.) and the Sensational Spiderman cartoon, but they have a long way to go before they can match the DCAU.

Posted under Animation, Technology, Uncategorized

Source: eonline.com

BATTLESTAR GALACTICA

What We’re Hearing:  The crown jewel of the Sci Fi Channel should finish out its fourth and final season, but per writer Jane Espenson, it’s almost certain that, schedule-wise, the story will be split into two separate miniseasons. The show completed 14 episodes before the strike hit, and at least the first 10 will air beginning Apr. 4. The second batch could premiere in the fall or even sometime in 2009.

HEROES (Updated)

What We’re Hearing:  It looks like Heroes won’t return until next season-but it could launch a little earlier than usual (late summer). Insiders tell us Milo Ventimiglia just signed a movie (scheduling conflict) and, moreover, executive producer Tim Kring is busy at work crafting a “series bible.” Word is, he wants to map out exactly where the series is headed (for many seasons) before Heroes goes back into production. We hear from crew members that they’ve been told they aren’t expected back on set anytime before June. 

LOST 

Executive Producer Damon Lindelof Says:  “Indeed, it would appear that we are in the endgame of the strike. Personally, I couldn’t be more psyched to be part of this union. Like any negotiation, some parts suck and some parts surpassed my wildest expectations for what we could accomplish, but most of all I’m left with a feeling of pride.

“As for Lost (pending the actual lifting of the strike, which we vote for on Tuesday), a game plan should begin to manifest by the end of the week. All I can say is that Carlton and I and the rest of the writers have every intention of making sure you guys get more episodes this season beyond the eight already completed. How many and how they will be aired is a conversation we’ll be having with our bosses, but as soon as we’ve got a plan, we’ll tell the fans first.”

What We’re Hearing:  Lost‘s actors are on standby, and the show is expected to produce more episodes this season. Fingers crossed! The bigger question is who’ll keep the golden Thursday at 9 p.m. time slot once those Seattle Grace docs also return…How ’bout we put Sawyer and McDreamy in a cage and let ‘em duke it out? (‘Cause we know who’d win…)

SMALLVILLE

What We’re Hearing:  Our all-time favorite Smallville source (SWAK!) tells us the CW wants the show to produce five more episodes this season.

Posted under Television

I’ve watched the first two episodes of Terminator:  The Sarah Connor Chronicles, and I must say that I am somewhat impressed. I don’t know if it’s because of the lack of new shows due to the writer’s strike, and one can only take so much of American Gladiators.  The effects are good for a television show.  The writing has been pretty good so far, especially how they’ve managed to work much of the existing Terminator universe into the story.  I usually have problems with time travel, but the writers seem to have handled any issues fairly well.    They start out in 1999 and by the second episode they’ve traveled to 2007.  This totally dismisses Terminator 3 as if it didn’t exist, but from what I read the producers like to think of this show as existing in its own version of the Terminator universe.  That’s fine with me.  They do however hold over the fact that Sarah’s going to develop cancer.  Consistency is good. 

Summer Glau brings her kick ass attitude to her Terminator “Cameron”  model character.  But her dead pan performance is, in a word, dead.   Thomas Decker, as the savior, John Connor, comes off as a whiney brat.  Richard T. Jones shows up as Agent James Ellison, the FBI agent tasked to bring in the fugitive Sarah Connor.  I won’t dog the brother for collecting a paycheck, but I will say he needs to either watch The Fugitive or U.S. Marshals and see how much passion Tommy Lee Jones brought to the role of Sam Gerard as a fugitive hunter.  If anything, he should watch a few episodes of the original Fugitive series, because he looks like he’s sleeping through his lines.  But he does have a few episodes to shape up since Sarah had dropped of the map for 8 years.  The bright spot is Lena Headey of 300 fame.  She brings a level of complexity to the titular character that echoes Linda Hamilton.  She makes the show worth at least giving it a chance.

Posted under Television

I recently watched the “Roots The Gift” on TVONE which features two characters Kunta Kinte and Fiddler from Alex Haleys ground breaking 1977 mini series “Roots”. In this movie the two of them accompany their owner to another plantation at Christmas time and they learn that the son of the owner helps slaves escape.  The two of them try to help him and also see this as an opportunity to escape themselves. While watching my geekdar picked up a couple of familar faces. I saw two Captains and two Lt. Commanders from Star Trek.  Then again Q may have transported them all to 1775.

Posted under Television